The Harmony of the Ecstasy reviewed on Sensorium.it

by Michele Dicuonzo, published on Sensorium.it

... A peculiarity of MarryAnn is in rejuvenating those (nevertheless fascinating) cosmic and sometimes to much long-winded and auto-indulgent behaves, with the intent to offer a more firm and easily digestible kind of music. The music from this album appears lively and brilliant, at the moments also

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Intolerance Reviewed in drMusic

MarryAnn is a project of an enthusiast and electro magician, who absorbed him self in thoughts of using synthesizers without damaging emotions and deep feelings in his music. Beneath ecstatic techno vampirism and using synthesizers for filling empty pump-up-the-jam heads and discography house budgets, MarryAnn’s purpose is more than worth of applause. MarrAnn returns back in the seventies Electro-music philosophy through his instrumental songs. His similarity is not musical but only ideological.

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Harmony of the Ecstasy reviewed on Smother Magazine

by J-Sin, published on Smother Magazine Nov 2005

Slovenian artist Marry Ann punctuates his “Intolerance” release with an equally challenging ambient pop album in “The Harmony of the Ecstasy”. This album sounds a bit more mature but still has the relaxing and oddly exuberant attitude of the prior album. Good stuff

 
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