MarryAnn is a
project of an enthusiast and electro magician, who absorbed him self
in thoughts of using synthesizers without damaging emotions and deep
feelings in his music. Beneath ecstatic techno vampirism and using
synthesizers for filling empty pump-up-the-jam heads and discography
house budgets, MarryAnn’s purpose is more than worth of applause.
MarrAnn returns back in the seventies Electro-music philosophy through
his instrumental songs. His similarity is not musical but only
ideological.
MarryAnn lets
his emotion and fantasy a free flight. He’s albums are excellent combination
of classic space compositions, contemporaneous electro adds, alluring
rhythms an loose experiment without techno nervousism and violent pop
imbecilism. This are one of those timeless and perfectly functioning
works, of course, if you let its sound, melodies and other worlds of
magic feeling into you.
Reviewed in Mladina
Surprisingly
dynamic, ambient friendly and penetrating albums of the musician, who sold
his soul to baroque synthesizer sounds, similar to first releases of
Jean Michel Jare, Tangerine Dream, and producer John Carpenter. By the
absence of any needles experimentation, you can obtain works, unique for
the electro musical scene. It is also a proof that using a solid
character and enthusiasm, you can get a lost trends full-vitamin juice,
worth of imitation.
Reviewed in Cool
Pure
electronics which is suitable for just listening and doing nothing, or
as a studying and conversation background or listening to after pushing
the volume on maximum. The
music may sound familiar to you, but there is nothing to
wonder about. You have probably heard similar sounds on the albums of
gurus in electronic music. While listening you’ll be taken by the
nostalgia of old Jean Michela Jare, The Art Of Noise, Tangerine Dream
and Depeche Mode Albums. You’ll be surprised of how pleasant can this
music be in any circumstances. On first listening it could sound plain
to you, but after getting it under the skin, you’ll love it ...
MarryAnn is a
project of an enthusiast and electro magician, who absorbed him self
in thoughts of using synthesizers without damaging emotions and deep
feelings in his music. Beneath ecstatic techno vampirism and using
synthesizers for filling empty pump-up-the-jam heads and discography
house budgets, MarryAnn’s purpose is more than worth of applause.
MarrAnn returns back in the seventies Electro-music philosophy through
his instrumental songs. His similarity is not musical but only
ideological.
Surprisingly
dynamic, ambient friendly and penetrating albums of the musician, who sold
his soul to baroque synthesizer sounds, similar to first releases of
Jean Michel Jare, Tangerine Dream, and producer John Carpenter. By the
absence of any needles experimentation, you can obtain works, unique for
the electro musical scene. It is also a proof that using a solid
character and enthusiasm, you can get a lost trends full-vitamin juice,
worth of imitation. 
